South Dakota celebrates International Women's Day
Wednesday, March 08, 2006
Tuesday, March 07, 2006
The Jimmys
Hello old chums,
LF here, post-Oscars - still trying to recover my senses and the three-grand I lost on Brokeback. At least my other picks were mostly correct, though you'll never convince me that Dame Judi Dench didn't "throw" her performance in Mrs. Henderson Presents. I'm afraid you have to be close to this town to know how corrupt it is. But don't take that as criticism - as George Clooney would surely remind us, Hollywood has frequently been the first to expose Hollywood corruption.
Anyway, if you think awards season is finally over, think again. Tinsel Town's next big get-together is just around the corner.
That's right, the Jimmys - the first awards to honor achievement in the pirated motion picture industry. Named in honor of Jimmy Nussle, a nineteen-year-old Kansas man believed to have the largest cache of illegally downloaded movies on his hard drive, the Jimmys will be held this Sunday in the basement of the Kodak Theater. No stars are expected to attend but plenty will appear. And the competition for Best Picture should be quite exciting, though it may take days to complete.
These are the nominees:
• The Forty-Year-Old Virgin (complete) SHARE OR DIE!!! - teddyboy843
• Star Wars Episode III - Revenge of the Sith NOT A FAKE - ackbar5904
• Dukes of Hazzard cam. part one JESSICA SIMPSON/BRAESTS - pe439al
• Fat Kid on pogo stick (REALL & HILARIOUS!!!!!!) - dAveDAWg95
• MILF Hunters: Rachel - foghorn4830
Unlike the Oscars, the Jimmys are truly international. For instance, every single nominee in the Sound Effects, Editing and Cinematography categories is Chinese.
So move over, Oscar, there's a new golden boy in town! See you at the Jimmys!
Hello old chums,
LF here, post-Oscars - still trying to recover my senses and the three-grand I lost on Brokeback. At least my other picks were mostly correct, though you'll never convince me that Dame Judi Dench didn't "throw" her performance in Mrs. Henderson Presents. I'm afraid you have to be close to this town to know how corrupt it is. But don't take that as criticism - as George Clooney would surely remind us, Hollywood has frequently been the first to expose Hollywood corruption.
Anyway, if you think awards season is finally over, think again. Tinsel Town's next big get-together is just around the corner.
That's right, the Jimmys - the first awards to honor achievement in the pirated motion picture industry. Named in honor of Jimmy Nussle, a nineteen-year-old Kansas man believed to have the largest cache of illegally downloaded movies on his hard drive, the Jimmys will be held this Sunday in the basement of the Kodak Theater. No stars are expected to attend but plenty will appear. And the competition for Best Picture should be quite exciting, though it may take days to complete.
These are the nominees:
• The Forty-Year-Old Virgin (complete) SHARE OR DIE!!! - teddyboy843
• Star Wars Episode III - Revenge of the Sith NOT A FAKE - ackbar5904
• Dukes of Hazzard cam. part one JESSICA SIMPSON/BRAESTS - pe439al
• Fat Kid on pogo stick (REALL & HILARIOUS!!!!!!) - dAveDAWg95
• MILF Hunters: Rachel - foghorn4830
Unlike the Oscars, the Jimmys are truly international. For instance, every single nominee in the Sound Effects, Editing and Cinematography categories is Chinese.
So move over, Oscar, there's a new golden boy in town! See you at the Jimmys!
Sunday, March 05, 2006
Oscar Countdown
Our next Best Picture nominee is Good Night And Good Luck.
This movie takes us back to the 1950s, a time when right-wing demagogues used fear and intimidation to drive the nation's press agenda - in other words, just like now but in black and white. Fortunately for all of us, one man wasn't having it: the legendary CBS newsman Edward R. Murrow, who created such a high standard for TV journalism that no broadcaster since has dared live up to it out of respect to his memory. Murrow's lonely, courageous battle against "the Red Scare" is an example to us all, though not so much the part where he chain-smokes unfiltered cigarettes. Still, a generation will always remember his integrity as well as his legendary sign-off, "Seacrest out."
David Strathairn is excellent as Murrow. He is so dull, grey, dour and devoid of expression that we actually believe he has been dead for forty years. But the real find here is the actor who portrays Senator Joseph McCarthy. I didn't stick around long enough to catch his name in the credits and I don't see him on the Oscar ballot but whoever he is, he is really good. Scary good, in fact - I found everything he said very convincing. If this guy wants to get out of the movie biz and start a political career, it's his. Let's just hope he's one of the good guys and not another Schwarzenegger.
Good Night was directed and co-written by George Clooney, who also co-stars and bankrolled this modest production off his Facts of Life residual checks. While the film's message is entirely relevant to our time, the b&w cinematography and jazz soundtrack is a nice throwback to the age of Eisenhower, I Love Lucy and principled reporters.
So cheers to Good Night And Good Luck - the Best Picture of the Year!
Now vote for your Best Picture:
Our next Best Picture nominee is Good Night And Good Luck.
This movie takes us back to the 1950s, a time when right-wing demagogues used fear and intimidation to drive the nation's press agenda - in other words, just like now but in black and white. Fortunately for all of us, one man wasn't having it: the legendary CBS newsman Edward R. Murrow, who created such a high standard for TV journalism that no broadcaster since has dared live up to it out of respect to his memory. Murrow's lonely, courageous battle against "the Red Scare" is an example to us all, though not so much the part where he chain-smokes unfiltered cigarettes. Still, a generation will always remember his integrity as well as his legendary sign-off, "Seacrest out."
David Strathairn is excellent as Murrow. He is so dull, grey, dour and devoid of expression that we actually believe he has been dead for forty years. But the real find here is the actor who portrays Senator Joseph McCarthy. I didn't stick around long enough to catch his name in the credits and I don't see him on the Oscar ballot but whoever he is, he is really good. Scary good, in fact - I found everything he said very convincing. If this guy wants to get out of the movie biz and start a political career, it's his. Let's just hope he's one of the good guys and not another Schwarzenegger.
Good Night was directed and co-written by George Clooney, who also co-stars and bankrolled this modest production off his Facts of Life residual checks. While the film's message is entirely relevant to our time, the b&w cinematography and jazz soundtrack is a nice throwback to the age of Eisenhower, I Love Lucy and principled reporters.
So cheers to Good Night And Good Luck - the Best Picture of the Year!
Now vote for your Best Picture:
Saturday, March 04, 2006
More Oscar Preview
If there's a frontrunner at this year's Awards, it has to be Brokeback Mountain.
Directed by Ang Lee and starring Heath Ledger and Jake Gyllenhaal, this is easily the most talked-about motion picture of the year, if not the decade. With all the controversy, the criticism, the parodies, it's hard to imagine anyone visiting this blog not already familar with much of what takes place in this film. But out of respect for those who haven't seen it, my review contains absolutely no spoilers.
Brokeback tells the story of Ennis Del Mar (Ledger) and Jack Twist (Gyllenhaal), a pair of young ranch hands who over the course of an early '60s summer in Wyoming discover that they really enjoy doing things together. Things like swimming, fishing, horseback riding and just about anything else that might strike their fancy. But there's one catch: they really, really like doing things together. Like more than they've ever liked doing things with anyone else before. Herein lies the film's universality, as I think we all remember that one buddy from summer camp with whom we just could not part ways. Anyone who's been through that experience or anything similar will surely identify with the characters in this film, to some extent.
So Ennis and Jack promise to be Best Friends Forever while agreeing to keep it "on the downlow", so to speak, as they both get married and start their lives in earnest. But neither can escape the feeling that they'd really rather be doing things together. They agree to get together once a year and return to Brokeback Mountain - and who can blame them? The scenery is gorgeous. However, the wives (Anne Hathaway, Michelle Williams) get a little concerned, as wives tend to do when a husband is spending all his time horsing around with one of his close pals and ignoring the homefront. Again, this is a movie that nearly every American male will relate to, though perhaps some more than others.
As the film progresses, taking us further into the character's lives, it takes on tragic dimensions. We come to feel that Ennis and Jack were destined to do things together but their lives have been undone by society's tendency to frown upon certain people doing things together. Yes, it's a downer.
But Brokeback Mountain is also a very thought-provoking film. I thought about it an awful lot afterwards, which is odd since I've never been a fan of cowboy movies. Certain scenes replayed in my thoughts a lot - so much so that I had to mentally recast the film just to get it out of my head; my version of Brokeback stars Danny DeVito and Paul Giamatti. It's just as well-acted but a little less thought-provoking.
So cheers to Brokeback Mountain - the Best Picture of the Year!
Now take our latest web poll, courtesy the Zenmaster:
If there's a frontrunner at this year's Awards, it has to be Brokeback Mountain.
Directed by Ang Lee and starring Heath Ledger and Jake Gyllenhaal, this is easily the most talked-about motion picture of the year, if not the decade. With all the controversy, the criticism, the parodies, it's hard to imagine anyone visiting this blog not already familar with much of what takes place in this film. But out of respect for those who haven't seen it, my review contains absolutely no spoilers.
Brokeback tells the story of Ennis Del Mar (Ledger) and Jack Twist (Gyllenhaal), a pair of young ranch hands who over the course of an early '60s summer in Wyoming discover that they really enjoy doing things together. Things like swimming, fishing, horseback riding and just about anything else that might strike their fancy. But there's one catch: they really, really like doing things together. Like more than they've ever liked doing things with anyone else before. Herein lies the film's universality, as I think we all remember that one buddy from summer camp with whom we just could not part ways. Anyone who's been through that experience or anything similar will surely identify with the characters in this film, to some extent.
So Ennis and Jack promise to be Best Friends Forever while agreeing to keep it "on the downlow", so to speak, as they both get married and start their lives in earnest. But neither can escape the feeling that they'd really rather be doing things together. They agree to get together once a year and return to Brokeback Mountain - and who can blame them? The scenery is gorgeous. However, the wives (Anne Hathaway, Michelle Williams) get a little concerned, as wives tend to do when a husband is spending all his time horsing around with one of his close pals and ignoring the homefront. Again, this is a movie that nearly every American male will relate to, though perhaps some more than others.
As the film progresses, taking us further into the character's lives, it takes on tragic dimensions. We come to feel that Ennis and Jack were destined to do things together but their lives have been undone by society's tendency to frown upon certain people doing things together. Yes, it's a downer.
But Brokeback Mountain is also a very thought-provoking film. I thought about it an awful lot afterwards, which is odd since I've never been a fan of cowboy movies. Certain scenes replayed in my thoughts a lot - so much so that I had to mentally recast the film just to get it out of my head; my version of Brokeback stars Danny DeVito and Paul Giamatti. It's just as well-acted but a little less thought-provoking.
So cheers to Brokeback Mountain - the Best Picture of the Year!
Now take our latest web poll, courtesy the Zenmaster:
Friday, March 03, 2006
Thursday, March 02, 2006
Oscar Preview
In just a few short days, the 78th Annual Academy Awards will kick off in Los Angeles. For us film fans, it's like the Olympics, the Super Bowl and the Daytona 500 all rolled into one but longer. This year's telecast may be the most interesting in years, with the expected dominance of Brokeback Mountain and the likelihood that afterwards Oscar will never again find solace in heterosexual drama. All this anticipation only served to remind me: I haven't seen any of the films nominated this year. So in the interest of providing a learned assessment of this year's ceremonies, I'm scrambling to catch all the Best Picture candidates before the red carpet - and Joan Rivers' wax remains - are officially rolled out on Sunday.
Last night I caught Capote starring Phillip Seymour Hoffman.
Naturally, the story of an ambitious eccentric who inserts himself into a major news event with seemingly little concern for the real people involved has great resonance with me. I probably haven't identified so strongly with a character on screen since PSH's earlier role in Happiness. Hoffman doesn't just play Truman Capote, he is Truman Capote, in a performance so convincing that even months after the film's release, Liza Minelli is still calling him up at 3:00 am and demanding to raid his Quaalude stash. The film also provides fascinating insight into the literary world of the 1960s; who knew that famed To Kill A Mockingbird author Harper Lee (played by the exquisite Catherine Keener) was also one of the world's first "fag hags"?
It's in the story of Capote's relationship with a convicted killer, Robert Blake, that we see what an innovator the man really was. We witness how he pioneered the "non-fiction novel", a concept which the likes of James Frey have recently picked up and taken to new heights. With that in mind, it's too bad that Truman largely operated before the age of crack and Oprah because he really could've been somebody. Instead he became a sad, wasted figure chatting it up with celebrities at drug-and-sex-infested parties at Studio 54 - ie. living the American dream. But what a talent that creepy manipulative bastard was. The whole film made me want to pull out my well-worn, yellowed-out copy of In Cold Blood and actually read it instead of wearing it and coloring it yellow.
So cheers to Capote - the Best Picture of the year!
Now here's your chance to sound off on an Oscar category, via our old friend the Zenmaster:
In just a few short days, the 78th Annual Academy Awards will kick off in Los Angeles. For us film fans, it's like the Olympics, the Super Bowl and the Daytona 500 all rolled into one but longer. This year's telecast may be the most interesting in years, with the expected dominance of Brokeback Mountain and the likelihood that afterwards Oscar will never again find solace in heterosexual drama. All this anticipation only served to remind me: I haven't seen any of the films nominated this year. So in the interest of providing a learned assessment of this year's ceremonies, I'm scrambling to catch all the Best Picture candidates before the red carpet - and Joan Rivers' wax remains - are officially rolled out on Sunday.
Last night I caught Capote starring Phillip Seymour Hoffman.
Naturally, the story of an ambitious eccentric who inserts himself into a major news event with seemingly little concern for the real people involved has great resonance with me. I probably haven't identified so strongly with a character on screen since PSH's earlier role in Happiness. Hoffman doesn't just play Truman Capote, he is Truman Capote, in a performance so convincing that even months after the film's release, Liza Minelli is still calling him up at 3:00 am and demanding to raid his Quaalude stash. The film also provides fascinating insight into the literary world of the 1960s; who knew that famed To Kill A Mockingbird author Harper Lee (played by the exquisite Catherine Keener) was also one of the world's first "fag hags"?
It's in the story of Capote's relationship with a convicted killer, Robert Blake, that we see what an innovator the man really was. We witness how he pioneered the "non-fiction novel", a concept which the likes of James Frey have recently picked up and taken to new heights. With that in mind, it's too bad that Truman largely operated before the age of crack and Oprah because he really could've been somebody. Instead he became a sad, wasted figure chatting it up with celebrities at drug-and-sex-infested parties at Studio 54 - ie. living the American dream. But what a talent that creepy manipulative bastard was. The whole film made me want to pull out my well-worn, yellowed-out copy of In Cold Blood and actually read it instead of wearing it and coloring it yellow.
So cheers to Capote - the Best Picture of the year!
Now here's your chance to sound off on an Oscar category, via our old friend the Zenmaster:
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